In Pursuit of the Priest at NASA in Houston
Click link for a short version written Aug 2010
(Hopefully by 2017, I can travel to Texas to do that part of the story right. Please click my PayPal button in left hand column with High Fives to help make that happen.)
This is a True Story
**See the R-Rated Version of This Story at CofA16**
Read ongoing coverage of pedophile priest crisis at CofA12
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Wednesday, June 17, 2015
Coming in 2017
Producing City of Angels Blog since Jan. 2007, first as coverage of the pedophile priest crisis in the Catholic Church as one of the survivors, then 30 other topics at CofA 1-30
Ch 3: Considering Who We Are
Chapter One First Light
Chapter Two The Thud and a Nipple Dress
It must have been July 1969 because they had brought a black and white TV backstage so we could watch man’s first steps on the Moon during rehearsal. Opening night I was a big hit. My sister Patricia came backstage and said to me, “I don't know why you’re bothering with a career like this, considering who we are.”
Chapter Two The Thud and a Nipple Dress
It must have been July 1969 because they had brought a black and white TV backstage so we could watch man’s first steps on the Moon during rehearsal. Opening night I was a big hit. My sister Patricia came backstage and said to me, “I don't know why you’re bothering with a career like this, considering who we are.”
I knew exactly what
she meant. I went into a kind of trance,
went home, quit the show, and started answering ads to find work doing porn. Not real porn,
simulated sex. When they started doing real sex in the new porn of 1969, I quit
and went to Laguna Beach to find Timothy Leary.
*************
2010 - East Hollywood, on the phone
“You'll never guess who got in my cab this afternoon, Barbara Blaine.”
“No, Rick, that was no coincidence.”
Too late. I knew exactly what that meant.
Within weeks our plans for action about pedophile priests in Chicago were squelched.
*****************************
*****************************
Even among a population of women who take off their clothes for a living, my sister Patricia stood out as a person who was willing to go just a little bit farther than the others, maybe too far.
In 1972 within a hundred miles of San Francisco there was vast open country, rugged canyons, vistas of meadow. A network of two-lane highways twisted through open spaces that today in 2015 are so completely covered with concrete you cannot recognize them.
In 1972 about three in the morning, the tittie bar parking lot is empty but for two pickup trucks and an aging M-G sports car. Today in 2015 lap dances take place at bachelorette parties for school teachers, but in 1972, the topless dancer was a new phenomenon, about as popular with the general population as was the can-can dancer in 1830.
In the moonlight, Trish would get behind the wheel of her aging sports car and like a character in a Tennessee Williams play, drive up the tangle of two-lane highways to her home where events would take place for several more hours. There were at least three vehicles following her at the end of her shift at the topless bar, driving the 14 or so miles to spend the next few hours on a vast mattress on the floor in Trish’s little hut near a creek, if this was Tuesday, two trucks, in a Saturday night, four or five.
Trish reeled them in using the instinctive skills placed in her at age nine, when Father Horny was trying to keep his sessions with her secret, and she, at age nine had turned the tables, driving the drunken priest crazier than he already was.
Around that same time, 1972, I lived in Dallas Texas in a Yoga ashram.
My sister was an atheist in 1972 when she was taking men home from topless bars. She was six years older than I was when Father Horney predated on our family, she remembers what happened more clearly than I do, and so has never to this day trusted a religious figure enough to give in to a spiritual life. She won’t even go to 12-step meetings, instead becomes enraged that you have to “buy into this god shit” in order to go through rehab if you need it.
I on the other hand in 1972 was in full religious mania mode. The experience with Father Horny at age five had made me, from puberty onward, into a kind of religious zealot who always confused sexuality with spiritual pursuits. I made an absolute fool of myself once in Tim Leary’s home, don't want to go into detail about that.
(((((((((((((((
1969: In the dark with other cast and crew, we're in awe as the man in a space
suit takes slow slow slow steps down towards the Moon surface with the shadow
of the space station in the TV picture. Just
as Neil Armstrong is saying the famous words, “That's one small step for
mankind,” my Director calls from the stage, his shrill soprano drifting in with the dust in the light of the curtain. “Where’s Charlie,
get Charlie out here now. We're ready to rehearse the scene.”
I wish I could say playing
the lead in “Charlie Was A Lady” was a career advancement, something worth
missing one of the most important moments in the history of mankind.
But it was not.
Even though it was based on the historical character Charlie Parkhurst, Charlie Was A Lady” was probably
the world’s worst play. I include more about it here as I'm pretty sure that as Charlie, I insisted I not wear pants
in the scene where I pull my gun (see photo at R-Rated site Outtake 1). It was when the compulsions in me from being molested by a pedophile priest were just starting to emerge.
I've found a character in California history from around 1860, actress Adah Menken, whose biggest performance was playing the role of a man. Menken insisted on appearing near naked in a thin leotard in a scene that was usually performed by a dummy. Raised Catholic in a broken home, she became the highest paid "actress" of her time, just by appearing almost nude, as if she were driven to do so by some compulsion placed in her in childhood. More about Adah Menken at the bottom of this post.
Adah Menken insisted on performing a role near-nude, when up until then it had the scene had used a dummy, like I insisted on performing bare legged, compulsions so similar, so similar.
Adah Menken insisted on performing a role near-nude, when up until then it had the scene had used a dummy, like I insisted on performing bare legged, compulsions so similar, so similar.
*********
Charlie sings Solitaire |
The "musical comedy" Charlie Was A Lady was an embarrassment, except for one song.
I asked them to let me sing it as blues and “Solitaire” became a show
stopper.
Opening night
Patricia came backstage and reminded me I'm a pedophile priest victim, sort of.
Patricia came back
to my dressing room after the performance opening night.
In the middle of my
celebration, she came up close to me with a strange air.
Looking me straight
in the eye, she said to me genuine concern:
“I don't understand
why you pursue a career like this, considering who we are.”
I became
stunned.
I knew exactly what
she meant.
The party around me
became unimportant because she’d shocked me out of reverie into a reality I had
been avoiding, somehow. I had a job and
rehearsed at night and took voice and dance classes, so as always I lived at Faster
Than the Speed of Life pace.
But what she was was
more than what it looks like on the surface.
It was not about the
futility that all my work had only gotten me as far as Burbank Community
Theater, that's not what Trish was trying to tell me.
It was this deep
shared secret we had of which we never spoke but all she had to do was look at
me and we knew we shared it.
What she said put
me in a fugue state.
Honest.
Next morning I went
out and picked up Hollywood Reporter and Daily Variety and in both of them were
reviews of Charlie Was a Lady. Both said
the play was awful but singled out my performance and the song as something to
look at. Both of them mentioned me.
But I was in this
fugue state, still reeling from what my sister had said to me the night
before.
And I turned to the
back pages of the trade papers, both Variety and Reporter were running ads for
pornography shoots in their classified ads at the time. The Supreme Court ruling that created the X
rating had just come out and people didn't really know how to deal with it, so
for this short time that lasted only a few months, the two main entertainment
industry trade papers in Los Angeles were both running ads for work in porn
films in the help wanted section.
I called Pretty
Girl International agency and began my career in “nude modeling” which included
film that day. I also called the
director and told him something came up and to have the understudy do my part,
which ruined the whole play because she was just a mediocre performer.
I did soft core for
the next six months. It ruined what
chances I had to have the acting career I’d dreamed about my whole life. Really in a way because of what Patricia
exhaled at me that night in my dressing room.
I HAVE TO POINT
THIS OUT
We did not have
real sex in porn in 1969
Back then porn was
not real, it was “simulated sex” it said so on contracts, on posters, on movie
marquis. In fact the day I quit porn was
when it stopped being simulated and eventually I will write that episode at
R-Rated section of this story.
Oh heck here is a short version: Link to R-Rated Outtake 1
**********
PRESENT: LAKE TAHOE 2015, CAN-CAN DANCER
I
have cable TV for the first time in years, and a can-can dancer scenes in an
old Western movie got me wondering. I’d just packed up and moved for the fifth
time in four years. So I spent a few hours online reading about the history of the
can-can dance form around the same time I was reading history of Tahoe sites.
Tula
performs her Quadrille Dance at the Bijou Tavern near the Tahoe Lake
Tula
took to the new dance trend that had come out of Missouri around 1830 as if
she’d been born to do it and came to California as soon as she was old enough.
She landed in Tahoe where wealth was available to the ordinary man, if you were
willing to dig in the dirt to get it.
Tahoe Lake, where prospectors came with their gold to party and
Tula was well known locally for her performance of the can-can, which in the
unruly region now known as the Sierra Nevadas had evolved into an erotic public
sexual performance that involved the customer in ways that would shock the
coldest owner of a tittie bar in the San Fernando Valley today.
Tula
had no boundaries, there was nothing Tula would not do.
CUT TO R-RATED OUTTAKE 2
Tula’s mother in St. Louis was a Roman Catholic who, when not dancing on the wrong side of the tracks, went through periods of reverence where Catholicism dominated the household for months on end. Little altars with statues of Mary or Jesus appeared in parts of the house where there used to be furniture.
It was during one of these periods of reverence that Tula’s mother became friendly with a young priest, who really was visiting the home to get his hands on Tula, then age seven and lithely prepubescent.
So Tula confused the serenity and “holiness” that accompanied the priest with the sexual arousal she felt at the tip of his fingers between her legs, when mom went off on an errand and he stayed behind to watch her.
None
of the other dancers ever do more than a kick where the man gets a peak at
their panties, at least not while dancing at the Bijou Tavern. They were shocked at what the girl with the
Catholic upbringing was willing to do.
Tula
performed sex in the tavern as if it were just another dance, having no
boundaries, not after all those months when she was age seven being finger
banged by Father Horny in Missouri.
BACK
TO PRESENT:
I
POPPED AWAKE
I’d
been dreaming after reading a bit about the history online on the new region
where I’d moved, Lake Tahoe, and the history of the can-can dance. The tall trees looming in my window
disoriented me, as only days earlier I’d lived in a desert, now I live in a
mountain resort. I just keep running and
running and running
Woke
up in that familiar place where I'm both angry and grateful for the astounding
sexual imagination I've had since puberty, thanks to ideas put in my head by
Father Horny when I was six years old. He
taught First Confession classes and for some reason met with me in private
sessions where he described exactly what “impure thoughts” are, and how to
repeat them back to him later in Confession.
A group of children surround the priest as he explains, "In the confessional, you tell the priest your sins, if you lied, stole something, had impure thoughts."
I pipe in age six, "What are impure thoughts?"
He reddens, "Wait and I'll show you later." And he does. He fills my head with fantasies about exposing myself in a sexy way to several men at a time. . .
***************
EAST HOLLYWOOD 2010
On the phone, “You'll never guess who got into my cab
today,” he said.
“Who?”
“Barbara
Blaine.”
I filled with dread as he continued, “Yeah
I was at the cab stand at Karnacki and Wabash, and I turn around and it's
Barbara Blaine in the back seat, she asked me to take her to the SNAP
office. I recognized the address and
looked up, wow imagine how surprised I was, you don't expect Barbara Blaine to
be in that part of town."
I
had called him to continue a conversation we’d been having, with emails, about
me coming to Chicago because my case is in that archdiocese, and we both agreed
there was a dearth of activism where there should be more in Chicago.
Now
I held the phone awe struck as Rick continued his story. Why would Barbara Blaine, who probably has a
car, be anywhere hailing a cab in Chicago, and how could she happen to be there
on that corner hailing Rick’s cab. It
sounded funny from the start.
“What
a coincidence,” I said, “what happened?”
“Well
we got to talking and she told me there is something brewing in Chicago, and we
should hold tight and not do anything until we heard from her.”
That
was even stranger.
“What
did she say was brewing?” I asked Rick.
“She
said she’d be telling me in a few weeks, but in the meantime, whatever we are planning,
we should put a lid on it, and wait for SNAP to do what it's going to do.”
“Rick,”
I said, “don't you think it's kind of strange she just showed up in your cab
and said this?”
“No-no-no,”
Rick said. “It just shows you never know who’s going to get in your cab on the
streets of Chicago. Boy oh boy.”
Two
weeks or so later, when I called Rick wondering why I hadn’t heard from him
when we’d been cooking up plans for this project, he hesitated before saying to
me, “You know what, we've been talking
here locally and decided whatever we do, it should only be people who live in
Chicago.”
“Is
that Barbara Blaine you're talking to about those plans, Rick?”
“Well
yeah, you know, we're doing together something together, locally, and it should
just be people who live here, this time.
I'm sorry to say this, but we've got this big project coming up, and it's
better if it's just local people, you know what I mean.”
"What are you telling me, Rick?"
"We want to keep it local."
"What are you telling me, Rick?"
"We want to keep it local."
I
wanted to say, “And you don't think it's funny that the result of her happening
to get in your cab is that the project you and I were planning gets canned, isn't that a little suspicious?
But
I didn't. I avoided
confrontation again.
Still,
just to niggle Rick, every few months or so far a while after that, I’d call
and ask him, hey whatever happened to that big project you were cooking up with
Blaine to publicize pedophile priests that could only involve local Chicago people. But he never had an answer. He started pretending he didn't hear the
question. Then he stopped taking my
calls.
That
day I just held the phone out from my ear as he talked, shaking her head. They did it again. SNAP, the Survivors Network of those Abused
by Priests, kaiboshed what we were trying to do, and kaiboshed it in the name
of doing something for us.
I
wasn’t keeping track but up until then Rick and I had held at least ten
conversations, between phone and email, that I was going to come to Chicago so
we could combine forces and do some kind of activism to expose the pedophile
priest cover-ups in that city.
Now
I was no longer welcome.
**********
Today
it's 2015, I'm getting old and a bit beaten down. Everyone in my family has cut me out of
their lives because of the stories I've written about pedophile priests,
specifically the dysfunction in my own family created by the injudicious fingertips
of one perpetrator priest in a small town outside Chicago in 1955.
***
I
did almost dance topless myself once
When
I am contemplating dinner these days, I think about the kitchen pantry in
Lakshman’s house. His real name was Lee,
I met him when I moved into the Yoga Ashram in Dallas. At one point he tole me, “My daddy owns a
bank.” L lived in the ashram too, he was dedicated to god more than I was,
which was saying something.
He’d take me to his family house and I’d just gaze. They had a walk-in pantry in the kitchen. You opened a door to what was like a walk in closet with
shelves so well stocked it had more food than a corner bodega. They had every
snack and convenience food you could find in 1970. I think of L’s pantry a lot today when I go
through another “end of the month” with no money so no food. That happens a lot to me as an old lady in
2015, which is fine because I had gotten too fat, but still. . .
His parents never did more than sniff at me from behind
their backs in the next room when L introduced me. I
think of Lakshman a lot when I'm looking at the one shelf I have for food in
the one room where I live, because when that shelf gets empty, there is nothing
else left. . . and that happens at the end of every month.
One
day when I was still a new arrival at the Ashram in Dallas, L took me on a job
interview.
I
had decided to be like my sister and
get a job as a topless dancer. My
interview was at a tacky bar somewhere in Dallas. L drove me and watched from
the empty tables.
I
came out in a costume they had provided and in what is really a journalist’s
body, did a very awkward dance, felt totally strange, and never went back there
again.
Like
I said, the pedophile priest experience at an early age affected me and my
sister in different ways. At this point in my life I was confusing sex with
religion in most embarrassing ways. In a
few months I was editing the newsletter for the ashram, I ran the kitchen for a
while, and learned hatha yoga good enough to teach advanced classes there in
that house on Lemon Avenue in Dallas.
((((((((((((((
Things
I found in other files that may incorporate here:
Possible
line of dialogue:
I was not a
horrible person but I had uncontrollable compulsions that I had to act out on
but then had to keep secret. Once people found out who I was after hours, it would
get me hated and fired and thrown out of groups. I was not born a slut, something made me that
way.
I laugh now when I
think of the one or two encounters I’ve had with men since the memory came in
in 1994. I’d run two blocks down the
street before I realized he was just trying to say hello.
The amazing part of
the whole experience is that since 1994, I've never acted out in a promiscuous
way at all. The sick behavior just came
to a stop, once I realized what was causing it.
I knew it wasn’t really me, and stopped being a whore.
In 1986 or
thereabouts I was in therapy with Dr. DiNicola at Cedars Sinai Thalians outpatient
clinic in L.A. I told him about that
incident.
I told him about the
time when Patricia came backstage and said something to me that caused me to
quit legitimate acting and do the new porn work instead.
He said to me, wow,
I’d love to know what it was she said to you.
All I remember is a
vague memory, something like, what I wrote above, “considering who we are,” is
the line I remember most of all.
I also at that
point in my life could not remember one thing, ONE THING, from my life before
age six. Dr. DiNicola told me that was
usually a sign of childhood trauma such as sexual abuse and I said to him,
honestly, nobody in my family would do anything like that.
CUT
TO 1995 San Francisco:
Stand up on Market
Street.
With Lizzie age
nine by my side, I'm trying to raise money for dinner, so with an open hat in
front of me, I start improvising comedy in the financial district of San
Francisco on Market Street. I come up
with this line and it gets me a twenty dollar bill:
Bill Clinton getting a blowjob in the Oval Office actually makes him more popular with voters in San
Francisco. When he makes an appearance
in town, there are dozens of men and women calling out, (In funny sexy
flirty voice) “Bill Bill look over here, me, Bill Bill."
The crowd laughed and threw twenty dollar bills in my hat.
The crowd laughed and threw twenty dollar bills in my hat.
************
True Story based on
my life by Kay Ebeling
Please hit my
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POST NOTES
THERE
REALLY WAS A CHARACTER LIKE IN HISTORY LIKE TULA AND LIKE ME AND MY SISTER!!!!!
Me:
Blowing me away, turns out there is a real historical character who was a lot like
Tula and a lot like my sister and me, Adah Menken:
Research:
Based
on Menken's assertions of being a native of New Orleans, Wolf Mankowitz and
others have studied Board of Health records for the city. They have concluded
that Ada was born in the city as the legitimate daughter of Auguste Théodore, a free man of color (mixed race) and his wife Magdaleine Jean Louis Janneaux,[4][7] likely
also a Louisiana Creole.
Ada would have been raised as Catholic. (Wikipedia)
Me:
Adah Menken, young Catholic girl, came to the Tahoe area (Comstock) in 1863 to perform
in her full body leotard that made her appear to be naked, an act she’d been
performing in San Francisco for several years.
Research:
Menken wore her wavy hair short, a highly
unusual style for women of the time. She cultivated a bohemian and at times androgynousappearance. She was deliberately
creating her image at a time when an expanding media existed to publicize it
She had several husbands which was scandalous
in the 1800s
Me: Also she has signs of PTSD and living
Faster than the Speed of Life. She felt
compelled to publish her personal life for the world to read:
Research:
While
in New York, Menken met the poet Walt Whitman and some
others of his bohemian circle. She was influenced by his work and began to
write in a more confessional style. In 1860-61, she published 25 poems in the Sunday Mercury, an
entertainment newspaper in New York.
Me:
She urged her manager to let her do this part, she wanted to do it and look
nude in front of as many people as possible. Like me in Charlie Was A Lady,
insisting on doing the shootout scene without pants on. [PICTURE]
I
WAS PLAYING THE ROLE OF A MAN TOO!!!
Research:
Jimmie
Murdock offered [Menken] the "breeches role" (that of a man) of the
noble Tartar in the
melodrama Mazeppa, based on
a poem by Lord Byron.[1] At the
climax of this hit, the Tartar was stripped of his clothing, tied to his horse,
and sent off to his death.[13] The
audiences were thrilled with the scene, although the production used a dummy
strapped to a horse.
Menken
wanted to perform the stunt herself.[6] Dressed
in nude tights and riding a horse on stage, she appeared to be naked and caused
a sensation.[6]Not only
was she a woman playing the part of a man, and playing with conventions of
gender, she heightened the sensationalism by appearing to be nude.[9] New York
audiences were shocked but still attended and made the play popular.
Some
of society thought it beneath them.
Looking
for more acclaim, Menken took the production of Mazeppa to San Francisco. Audiences less
concerned about convention flocked to the show and made it wildly popular.[8] She
became known across the country for this role, and San Francisco adopted her as
its performer.
Me: Her first jobs were as an actress writer
performer in Galveston Texas. My first jobs were as an actress writer performer
in Austin, Texas. . .
Wow
Research:
Menken had the urge to travel. She arranged to play in a production ofMazeppa in London and France for much of
1864-1866, when she swiftly conquered London and Paris. Productions frequently
traveled between New York and London, and were promoted in each. The
sensational aspects of the production attracted attention before the show opened
(adding to the publicity.)
Controversy
arose over her costume, and she responded to critics in the newspapers of
London by saying that she was influenced by classical sculpture, and that her
costume was more modest than those of ballet or burlesque. The show opened
October 3, 1864, at the Astley Theatre to "overflowing houses".[15]She was
so well known that she was referred to as "the Menken", needing no
other name.[9]
"Here's
half the town - if bills be true -
To Astley's nightly thronging,
To see the Menken throw aside
All to her sex belonging,
Stripping off woman's modesty,
With woman's outward trappings -
A barebacked jade on barebacked steed,
In Cartlich's old strappings!"
To Astley's nightly thronging,
To see the Menken throw aside
All to her sex belonging,
Stripping off woman's modesty,
With woman's outward trappings -
A barebacked jade on barebacked steed,
In Cartlich's old strappings!"
This
period established her lasting image. The highest-earning actress of her time,
she was generous to friends, theatre people in need, and charities (Wikipedia)
Me: She was able to be an exhibitionist with herself
all over the world before she died. I wonder what Catholic priest got to her as
a little girl to make her so profoundly oversexed in such a similar way to me
and my sister.
Close
to two hundred years later, Ella is in Tahoe, broke again. All she has going for her is her body but the
cops are real uptight about prostitution in this town, I mean it, where there
are casinos there are very alert cops keeping the professional women out of the
way.
So
she came up with an idea, a dance, she put on a leotard that covered her but
she was as good as naked. Then in a
public area, she set out a hat, played music on a portable tablet with
speakers, and made several hundred dollars in a few hours.
The
fabric of the leotard barely covered her, but it covered her, so she could not
be arrested. She could dance as close to
her audience members as if she were in a dance hall asking for lap dances.
She
had enough money to rent an apartment soon, but no one ever touched her.
Oops,
dreaming again.
More
on Menken:
Adah
also was compulsive about religion, you could even say was “anything but
Catholic”
Per
San Francisco Museum website:
Research:
When
she met Alexander Menken in Texas, she became Jewish and married him. The marriage did not last as she did not want
to be a wife, she loved performing and the “adulation of young men” so left
him, but remained “devoutly” Jewish
Also
from San Francisco Museum re the bare horseback ride onstage that Menken insisted
on doing:
“At
the thrilling climax of the play, the noble Tartar lad, stripped of his clothes
by his captors and bound to the back of a wild horse dashed out of the wings up
to the papier-mache cliffs and disappeared in the clouds, while the audience
grew hysterical with apoplectic applause.
It
had been a tradition that during the ride of the barebacked horse, a stuffed
dummy, naked and resembling Mazeppa, would be used.
Menken would have
no stuffed dummy. She would ride the
horse herself. She would wear skin-tights.
No matter how it shocked the audience that had never seen an actress in
tights, she would play the role with dramatic realism, she would wear
tights. So she wore tights. The audience
was shocked – scandalized- horrified – and delighted! But New York was too
stilted, too smug, too proper to appreciate great art. And Adah Menken said, “I'll go to the one
place where the audience demands real art; I'll go to San Francisco.”
“at climax of the
play, the Menken vaulted to the back of her full-blooded California mustang
and, clad in tights with hair streaming down her back, raced her steed at mad
pace across the mountains of Tartary, the enthusiasm of the audience was a mad
frenzy never to be forgotten.
“So thrilling was
the performance that it was said on the opening night the leading man, Junius
Booth stood in the wings and completely forgot his lines.”
Me; Yes, performed like
a true pedophile priest survivor acting out compulsively as an adult.
****************
More notes on Adah
Menken from San Francisco Museum website:
Later years:
“The tide
turned. Ill health, the fruit of
dissipation, wasted her away. She had made a fortune; her wealth had
disappeared, and she lived in comparative poverty. In London, desperately in
need of funds, she published her volume of Victorian poems and realized a few
dollars.
“London was cold,
unfriendly. She returned to Paris and Paris had found new loves.”
And the religion
again:
“Faithful to her
adopted religion, she spent her last hours speaking of life and faith and hope
to a friendly rabbi.”
She died in Paris
at 33
More on Adah Menken
actress "not known for her talent, but
rather for her frenetic energy, her charismatic presence, and her willingness
to expose herself," was born in a suburb of New Orleans (Richards 192)
n the summer of 1859, Menken first became
introduced to Pfaff's by her friend, the actress Ada Clare. According to
scholar Justin Martin, Menken soon gained the reputation as being "the
wildest, most brazen, and most colorful" of the Pfaffians (Martin 68).
more on Adah from
another source:
A sheer body stocking made Menken appear nude.
Her audacity made the puritanical Horace Greeley, owner of the New York Tribune, the single
newspaper which refused to carry advertisements for French contraceptives and
virility aids, fume. Greeley blasted the “naked lady” for daring to expose her
nude body. Outrage gave way to astonishment: Menken not only usurped an
exclusively male role, but in the dangerous scene rode the horse herself
instead of using a dummy.
About this time a magnificent spectacle dazzled
my vision—the whole constellation of the Great Menken came flaming out of the
heavens like a vast spray of gas-jets, and shed a glory abroad over the
universe as it fell!—Mark Twain
WORLD'S FIRST PRESS
CONFERENCE was about Menken who was performing when Lincoln had just taken office
In
Albany, Menken’s manager Edwin James called the first press conference. He
lured his fellow journalists up the Hudson to gape at the beauty whose star
quality struck them like a bolt of lightning.
James,
a former lawyer, currently theater-sports reporter on the New York
Clipper, mustered representatives from New York’s six daily newspapers,
three weeklies and two monthlies.Mazeppa opened three months after
Lincoln’s inauguration. The Civil War may have been heating up, but the “naked
lady” captured front page attention. James could boast of notoriety in his own
right. An Englishman, he provided the model for Stryver, the crooked barrister
in Charles Dickens’s Tale of Two Cities. James may have had a
shady past, but he remained Menken’s truest friend, the only one to stand fast
when flatterers eager to drink champagne at her expense in flush times
abandoned her in adversity.
Me: So weird, so
weird that she also played a man in the play where she exposed herself, and I
think I insisted on keeping the pants off in my costume for that scene from Charlie
Was A Lady in that picture as well.
Research:
Mazeppa-Menken, a Tartar prince, first appeared
onstage, a regal figure in black velvet cloak and tights ready for
swashbuckling and dueling. At Mazeppa’s
climax, a gang of enemy soldiers apparently strip our hero-heroine nude. Tied
to the back of a snorting steed, storm raging, Menken clattered up a cardboard
mountain over a narrow plywood ramp ending on the “flies” four stories up. This
pioneering striptease act kept Menken in the limelight throughout her brief
career.
The toast of Frisco and Europe brought rave
reviews from discerning critics like Mark Twain, a friend and admirer. In 1864
Twain, who worked as a fledgling newspaper reporter for the Californian, witnessed the
Menken bring down the house. His inimitable prose described how “A magnificent
spectacle dazzled my vision—the whole constellation of the Great Menken came
flaming out of the heavens like a vast spray of gas jets, and shed a glory
abroad over the universe as it fell.”
Mark Twain reviewing
Mezzepo in The Californian.
“a complete ballet with prima assoluta,
secondi and ballerini was unknown. The little the public had seen of women in
tights was confined to the performance of "Mazeppa," in which either an Adah Isaacs Menken ,
a Kate Fisher or
a Leo Hudson was
lashed to the back of a wild, untamed Barbary steed. The sensation can be
imagined when all at once the stage of Niblo's garden, New York, was filled with what seemed to be
myriads of women in short skirts, in trunks and in tights. It was a beautiful
spectacle and it appealed to the senses as no theatrical performance ever had
before.
That above is
published for some reason in Nebraska State Journal
April 1, 1894
page 13
Between the Acts
OMG I think I may
be Adah Menken reincarnated:
Infelix
Where is the promise of my years;
Once written on my brow?
Ere errors, agonies and fears
Brought with them all that speaks in tears,
Ere I had sunk beneath my peers;
Where sleeps that promise now?
Naught lingers to redeem those hours,
Still, still to memory sweet!
The flowers that bloomed in sunny bowers
Are withered all; and Evil towers
Supreme above her sister powers
Of Sorrow and Deceit.
I look along the columned years,
And see Life’s riven fane,
Just where it fell, amid the jeers
Of scornful lips, whose mocking sneers,
For ever hiss within mine ears
To break the sleep of pain.
I can but own my life is vain
A desert void of peace;
I missed the goal I sought to gain,
I missed the measure of the strain
That lulls Fame’s fever in the brain,
And bids Earth’s tumult cease.
Myself! alas for theme so poor
A theme but rich in Fear;
I stand a wreck on Error’s shore,
A spectre not within the door,
A houseless shadow evermore,
An exile lingering here.
Wow.
CUT PARAGRAPHS:
Charlie Was a Lady was loosely based on Charlie Parkhurst, a woman who posed as a man so she could drive stage coaches on the El Camino Real. She's a real character in California history. She realized as a woman she could never have a career and she had to support herself, so she dressed and acted like a man, slept in the barn with her horses, drove a stage coach better than almost all the other Wells Fargo drivers in early California, and it was only upon her death that the public found out, after a coroner’s examination, that he was really a she, there really is a good story there.
In the Burbank Community Theater 1969 version,
******************
2010 - East Hollywood
“You'll never guess who got in my cab this afternoon, Barbara Blaine.”
“No, Rick, that was no coincidence.”
Too late. I knew exactly what would happen.
Within weeks our plans for action to publicize pedophile priests in Chicago were squelched.
More coming in upcoming chapters
CUT PARAGRAPHS ABOUT THE ASHRAM IN DALLAS
CUT PARAGRAPHS ABOUT THE ASHRAM IN DALLAS
Apparently since I only remembered the molestation experiences the way one remembers things that happen at age six, instead of being an atheist, I pursued alternative religions with passion, anything but Catholic. In 1969 I had moved to a commune in Laguna Canyon where we took LSD every day and sometimes had face time with the man himself, Timothy Leary, who had a ranch just across the Riverside County line. From Laguna I moved into the Integral Yoga Institute ashram in Burbank, meditating with starlets, and when Swami Satchidananda opened a branch in Dallas, I made my way there. So in 1972 I lived in an old mansion on Lemon Avenue close to downtown Dallas sharing a dorm-like room with two other yoginis.
Like Adah Menken, I found religion in Texas through a man, dropped the man, kept the religion.
I know this goes on and on and on, I am in bad need of an editor.
And a publisher
-ke
And PayPal clicks, please click my PayPal button with high fives
COMING NEXT
CHAPTER 4
"The Blog"
-By Kay Ebeling
the City of Angels Is Everywhere
COMING IN 2017
In Pursuit of the Priest at NASA in Houston
refernce
Like Adah Menken, I found religion in Texas through a man, dropped the man, kept the religion.
Now in the ashram, I was still in the Annie Fanny phase of my life. The fashion was to go braless and I joined in, although my Polish C cups were, as a result, a distraction everywhere I went. Instead of covering myself up, I’d stand in awkward stances trying to cover my protruding nipples with my elbows to no avail. In that state I arrived at the Integral Yoga Ashram to learn to be a Yoga instructor, when all the time, inside, I was really in pursuit of the priest
We got up every morning at four A-M or so, for group meditation, conducted chanting and prayer sessions for the public.
This was the tail end of my Annie Fannie period. Mind you, I was as clueless as the cartoon character as to the effect I had on people. I was just who I was, a busty barely clad curious female who because of how I looked, often ended up in the middle of the story.
Maybe I was always born to be a journalist.
Make this a scene: Within weeks I was wearing whites and teaching beginning hatha yoga classes
-keI know this goes on and on and on, I am in bad need of an editor.
And a publisher
-ke
And PayPal clicks, please click my PayPal button with high fives
COMING NEXT
CHAPTER 4
"The Blog"
-By Kay Ebeling
the City of Angels Is Everywhere
COMING IN 2017
In Pursuit of the Priest at NASA in Houston
refernce
Producing City of Angels Blog since Jan. 2007, first as coverage of the pedophile priest crisis in the Catholic Church as one of the survivors, then 30 other topics at CofA 1-30
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